They have tons of covers and often short explanations of the covers and the bands who are behind the masterworks. Some examples:


We have taken the name Néojaponisme as a convenient rubric for our pursuits. This is not a revival of that specific Japonisme visual design style of the 19th century (now often construed as “Neo-Japanesque”), but we do indeed identify ourselves as impudent inheritors of the original Japonisme spirit. We too are non-Japanese inspired by Japanese culture, and we too hope to advocate Japanese products and creative culture that may have been devalued or ignored in Japan. But let us correct the fundamental philosophy of the previous movement in two areas:
First, we expand the idea of Japonistic Japanese inspiration beyond pure visual aesthetics to a broader appreciation of myriad creative fields.